Stejskalová, Tereza. 2022. “The surrogate labor of the eye: Farocki, Papa, and the eeefff collective.” Journal of Aesthetics & Culture, 14:1. https://doi.org/10.1080/20004214.2022.2156754
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Fundir el espejo y esculpir la imagen. Tarkovsky, agricultura y la transformación del paisaje
Gil-Fournier, Abelardo. 2022. “Fundir el espejo y esculpir la imagen. Tarkovsky, agricultura y la transformación del paisaje.” Aisthesis, 72, pp. 54-71. https://doi.org/10.7764/Aisth.72.3
Operators and Cyborg Bodies in Czech Avantgarde (1920-1927)
Charvát, Martin. 2002. “Operators and Cyborg Bodies in Czech Avantgarde (1920-1927)”. Conference panel presentation at American Comparative Literature Association conference, Taiwan, CLAROC, National Taiwan Normal University, June 15–19, 2022.
Re-Scalling Labor: From Gilbreths Motion Efficiency Study to Harun Farocki’s Operational Images
Charvát, Martin. 2002. “Re-Scalling Labor: From Gilbreths Motion Efficiency Study to Harun Farocki‘s Operational Images”. Conference panel presentation at Epistemic Media: Atlas, Archive, Network, NECS 2022 conference, Bucharest, June 22-26, 2022.`
Pureness or corruption: Spectres and ghosts between photography and X-rays
Charvát, Martin. 2022. “Pureness or corruption: Spectres and ghosts between photography and X-rays”. Philosophy of Photography, 12:1, pp. 99–118, https://doi.org/10.1386/pop_00041_1.
Disrupted Dwelling: Forensic Aesthetics and the Visibility of Violence
Charvát, Martin. 2022. “Disrupted Dwelling: Forensic Aesthetics and the Visibility of Violence“. ESPES. The Slovak Journal of Aesthetics, 11:2, pp. 69-77. DOI: 10.5281/zenodo.7506937.
Whither the Vernacular? Buttonless Cameras and Non-human Imagining of Everyday Life
Šimůnek, Michal. 2022. “Whither the Vernacular? Buttonless Cameras and Non-human Imagining of Everyday Life.” Conference panel presentation at International Conference of Photography and Theory 2022 (ICPT2022), Nicosia, Cyprus, November 17-19, 2022.
Set, Wear, and Forget: On Epistemic Authority of Lifelogging Cameras
Šimůnek, Michal. 2022. “Set, Wear, and Forget: On Epistemic Authority of Lifelogging Cameras.” Conference panel presentation at Epistemic Media: Atlas, Archive, Network, NECS 2022 conference, Bucharest, June 22-26, 2022.
Scoping: Images between Inscriptions and Views – international conference
4 November 2022, 14:00 – 19:00 FAMU in Prague, room U1 (https://goo.gl/maps/KUfWeTxJRtNLrj627) No registration/ticket needed. Jimena Canales has unfortunately had to cancel her participation. The event will start at 14:00 as planned. Opening Remarks – Tomáš Dvořák (FAMU in Prague) Scoping and the Imagination: How Non-Existents Are Brought to Life – Jimena Canales (University of Illinois,… Continue reading Scoping: Images between Inscriptions and Views – international conference
Extraterrestrial Images
Dvořák, Tomáš. 2021. “Extraterrestrial Images.” in Olga Moskatova (ed.), Images on the Move: Materiality – Networks – Formats. Bielefeld: Transcript, pp. 257-276.