4 November 2022, 14:00 – 19:00 FAMU in Prague, room U1 (https://goo.gl/maps/KUfWeTxJRtNLrj627) No registration/ticket needed. Jimena Canales has unfortunately had to cancel her participation. The event will start at 14:00 as planned. Opening Remarks – Tomáš Dvořák (FAMU in Prague) Scoping and the Imagination: How Non-Existents Are Brought to Life – Jimena Canales (University of Illinois,… Continue reading Scoping: Images between Inscriptions and Views – international conference
Sample Page
Parametrizace vidění: oko, obraz, aparát
Dvořák, Tomáš. 2022. “Parametrizace vidění: oko, obraz, aparát.” Public lecture, Fotograf Gallery. 24/05/2022.
Epistemology of the Shadow (Media Archaeology of the Sensor)
Dvořák, Tomáš. 2022. “Epistemology of the Shadow (Media Archaeology of the Sensor).” NECS 2022 Conference, Epistemic Media: Atlas, Archive, Network. 22-26/06/2022
The Ambivalence of Optical Toys: Self-Knowledge and Operational Aesthetics in the Nineteenth Century
Dvořák, Tomáš. 2022. “The Ambivalence of Optical Toys: Self-Knowledge and Operational Aesthetics in the Nineteenth Century.” American Comparative Literature Association. National Taiwan Normal University. 15-18/06/2022
Photography Between the Picturesque and Pattern Recognition
Dvořák, Tomáš. “Photography Between the Picturesque and Pattern Recognition.” Invited talk at Medienkulturwissenschaft – Digitale Kulturen, Universität Passau, 06/07/2022.
Reconsidering Cameraless Photography
Dvořák, Tomáš. 2022. “Reconsidering Cameraless Photography.” Philosophy of Photography, 13:1, pp. 3-15. https://doi.org/10.1386/pop_00036_2
The surrogate labor of the eye: Farocki, Papa, and the eeefff collective
Stejskalová, Tereza. 2022. “The surrogate labor of the eye: Farocki, Papa, and the eeefff collective.” Journal of Aesthetics & Culture, 14:1. https://doi.org/10.1080/20004214.2022.2156754
Fundir el espejo y esculpir la imagen. Tarkovsky, agricultura y la transformación del paisaje
Gil-Fournier, Abelardo. 2022. “Fundir el espejo y esculpir la imagen. Tarkovsky, agricultura y la transformación del paisaje.” Aisthesis, 72, pp. 54-71. https://doi.org/10.7764/Aisth.72.3
Operators and Cyborg Bodies in Czech Avantgarde (1920-1927)
Charvát, Martin. 2002. “Operators and Cyborg Bodies in Czech Avantgarde (1920-1927)”. Conference panel presentation at American Comparative Literature Association conference, Taiwan, CLAROC, National Taiwan Normal University, June 15–19, 2022.
Re-Scalling Labor: From Gilbreths Motion Efficiency Study to Harun Farocki’s Operational Images
Charvát, Martin. 2002. “Re-Scalling Labor: From Gilbreths Motion Efficiency Study to Harun Farocki‘s Operational Images”. Conference panel presentation at Epistemic Media: Atlas, Archive, Network, NECS 2022 conference, Bucharest, June 22-26, 2022.`
Pureness or corruption: Spectres and ghosts between photography and X-rays
Charvát, Martin. 2022. “Pureness or corruption: Spectres and ghosts between photography and X-rays”. Philosophy of Photography, 12:1, pp. 99–118, https://doi.org/10.1386/pop_00041_1.