Stejskalová, Tereza. 2021. “No creation without destruction: images of childbirth and Candice Breitz’s Labour”. Journal of Visual Art Practice, vol. 20, no. 1–2: 48–63. https://doi.org/10.1080/14702029.2021.1917907.
Category: Articles
Measuring photographs
Dvořák, Tomáš and Jussi Parikka. 2021. “Measuring photographs”. Photographies, vol. 14, no. 3: 435–457. DOI: 10.1080/17540763.2021.1957004.
Memory Machines: Infrastructural Performance as an Art Method
Bhowmik, Samir and Jussi Parikka. Forthcoming. “Memory Machines: Infrastructural Performance as an Art Method.” Forthcoming in Leonardo journal, 2021.
An Ecoaesthetic of Vegetal Surfaces: On Seed, Image, Ground as Soft Montage
Parikka, Jussi, and Abelardo Gil-Fournier. 2021. “An Ecoaesthetic of Vegetal Surfaces: On Seed, Image, Ground as Soft Montage.” Journal of Visual Art Practice 20, no. 1–2: 16–30. https://doi.org/10.1080/14702029.2021.1917858.
The Diagrams of AI (Image)
Parikka, Jussi. 2021. “The Diagrams of AI (Image).” The Nordic Journal of Aesthetics 30, no. 61–62: 148–153. Retrieved from https://tidsskrift.dk/nja/article/view/127893.
The Operational Loops of a Pandemic
Sampson, Tony D., and Jussi Parikka. 2021. “The Operational Loops of a Pandemic.” Cultural Politics 17, no. 1: 55–68. https://muse.jhu.edu/article/786391.
Ground Truth to Fake Geographies: Machine Vision and Learning in Visual Practices
Gil-Fournier, Abelardo and Jussi Parikka. 2020. “Ground Truth to Fake Geographies: Machine Vision and Learning in Visual Practices.” AI & Society. https://doi.org/10.1007/s00146-020-01062-3
A Recursive Web of Models: Studio Tomás Saraceno’s Working Objects
Parikka, Jussi. 2020. “A Recursive Web of Models: Studio Tomás Saraceno’s Working Objects.” Configurations 28, no. 3: 309–32. https://doi.org/10.1353/con.2020.0019.