Abelardo Gil-Fournier and Jussi Parikka. 2020. Video essay Seed, Image, Ground. https://www.fotomuseum.ch/en/situations-post/seed-image-ground/ Seed, Image, Ground works with selected promotional images and videos related to seed bombing – a technique used in forestry, agriculture and environmental restoration where biodegradable containers filled with seeds and soil nutrients are dropped from flying aircrafts to the ground. Originally conceived… Continue reading Seed, Image, Ground
A discussion between Jussi Parikka and Daphne Dragona recorded on Jitsi in place of a planned seminar organised by NeMe which would be part of the “Reprogramming earth” exhibition at the NeMe Arts Centre and reframed because of Covid-19 restrictions. December 12, 2020. https://youtu.be/SPirDJM-cXs
TTF Series: Jussi Parikka on Geology of Media, Strelka Institute podcast, October 22, 2020. https://pod.link/1534146667/episode/113ba85638e4565c210e739d462c6130
Dana Linssen in conversation with Jussi Parikka. Internationale Kurzfilmtage Oberhausen, May 24, 2020. https://www.kurzfilmtage.de/de/presse/detail/dana-linssen-in-conversation-with-media-theorist-jussi-parikka-professor-at-the-winchester-school-of-art-in-southhampton-and-visiting-professor-at-famu-in-prague/
Media Theory for the Terraforming. Yulia Gromova in conversation with Jussi Parikka. Strelka Mag, April 4, 2020. https://strelkamag.com/en/article/media-theory-for-terraforming-by-jussi-parikka
Yiğit Soncul & Jussi Parikka. 2020. “Masks: The Face between Bodies and Networks.” Paletten, April 28, 2020. https://paletten.net/artiklar/masks-the-face-between-bodies-and-networks
The lecture text presented by Jussi Parikka at Het Nieuwe Instituut on 4 July 2019 on the occasion of the opening of Malware: Symptoms of Viral Infection, an exhibition about the history and evolution of the computer virus. https://malware.hetnieuweinstituut.nl/en/malware-operational-art-ifthen-geopolitics-and-tricksters
Michal Šimůnek. 2019. “Martin Netočný: The Imprints of an Ideal Landscape.” Fotograf Magazine no. 33: 68–73. Profile of the young Czech artist Martin Netočný and his work on the deep mining industry and traces it leaves on the socio-cultural relief and in the landscape.