Šimůnek, Michal. 2023. “Analogue-digital Encounters in Photography.” Invited talk at Talks on everyday imaging – the analogue and digital realm of the vernacular. Eidolon Centre for Everyday Photography, Moholy-Nagy University of Art and Design, Budapest, November 2, 2023. https://everydayphotography.org/centre/talks-on-everyday-imaging-the-analogue-and-digital-realm-of-the-vernacular
Author: Michal Šimůnek
The Decisive Moment
Šimůnek, Michal. 2023. “The Decisive Moment.” Conference panel presentation at Computing the Human, Brno, Czech Republic, October 26–28, 2023. https://emorob.fss.muni.cz/conference/program
Non-human documentary vision: Photography, autonomous apparatuses, and everyday life
Šimůnek, Michal. 2023. “Non-human documentary vision: Photography, autonomous apparatuses, and everyday life.” Conference panel presentation at Visible Evidence XXIX, Udine, Italy, September 6–9, 2023.
A constant state of flux between uses and misuses
A constant state of flux between uses and misuses. Róza Tekla Szilágyi and Endre Cserna in conversation with Michal Simunek. Eidolon Journal. Eidolon – Centre for Everyday Photography, October 18, 2023. https://everydayphotography.org/journal/a-constant-state-of-flux-between-uses-and-misuses
Operators and Cyborg Bodies in Czech Avantgarde (1920-1927)
Charvát, Martin. 2002. “Operators and Cyborg Bodies in Czech Avantgarde (1920-1927)”. Conference panel presentation at American Comparative Literature Association conference, Taiwan, CLAROC, National Taiwan Normal University, June 15–19, 2022.
Re-Scalling Labor: From Gilbreths Motion Efficiency Study to Harun Farocki’s Operational Images
Charvát, Martin. 2002. “Re-Scalling Labor: From Gilbreths Motion Efficiency Study to Harun Farocki‘s Operational Images”. Conference panel presentation at Epistemic Media: Atlas, Archive, Network, NECS 2022 conference, Bucharest, June 22-26, 2022.`
Pureness or corruption: Spectres and ghosts between photography and X-rays
Charvát, Martin. 2022. “Pureness or corruption: Spectres and ghosts between photography and X-rays”. Philosophy of Photography, 12:1, pp. 99–118, https://doi.org/10.1386/pop_00041_1.
Disrupted Dwelling: Forensic Aesthetics and the Visibility of Violence
Charvát, Martin. 2022. “Disrupted Dwelling: Forensic Aesthetics and the Visibility of Violence“. ESPES. The Slovak Journal of Aesthetics, 11:2, pp. 69-77. DOI: 10.5281/zenodo.7506937.
Whither the Vernacular? Buttonless Cameras and Non-human Imagining of Everyday Life
Šimůnek, Michal. 2022. “Whither the Vernacular? Buttonless Cameras and Non-human Imagining of Everyday Life.” Conference panel presentation at International Conference of Photography and Theory 2022 (ICPT2022), Nicosia, Cyprus, November 17-19, 2022.
Set, Wear, and Forget: On Epistemic Authority of Lifelogging Cameras
Šimůnek, Michal. 2022. “Set, Wear, and Forget: On Epistemic Authority of Lifelogging Cameras.” Conference panel presentation at Epistemic Media: Atlas, Archive, Network, NECS 2022 conference, Bucharest, June 22-26, 2022.