Michal Šimůnek. 2019. “Martin Netočný: The Imprints of an Ideal Landscape.” Fotograf Magazine no. 33: 68–73. Profile of the young Czech artist Martin Netočný and his work on the deep mining industry and traces it leaves on the socio-cultural relief and in the landscape.
Author: jan.mastera@famu.cz
Scales, Collections, and Quantities: Cultural Analytics & Photography Off the Scale – A Joint Book Presentation
Department of Photography, FAMU in Prague25 March 2021, 13.00–14.30 CET The record of the event is available on YouTube: https://youtu.be/oOsSFE3iwUI Authors and discussants: Lev Manovich (CUNY), Jussi Parikka (FAMU and University of Southampton), Tomáš Dvořák (FAMU), and Annebella Pollen (University of Brighton) Please join us for a (lunch time) book discussion of two recent publications… Continue reading Scales, Collections, and Quantities: Cultural Analytics & Photography Off the Scale – A Joint Book Presentation
Images Beyond Control – international conference
Department of Photography, FAMU in Prague6 November 2020, 14.00–18.30 CET The record of the conference is available on YouTube: https://youtu.be/FnAgBbInMfA The status of technical images has always been determined by the delicate balance of control and autonomy between human and nonhuman agents. Although one has never been able to control the technical image entirely, the… Continue reading Images Beyond Control – international conference
Photography Off the Scale – international conference
Department of Photography cordially invites you to the International Conference Photography Off the Scale FAMU, Smetanovo nábř. 2, Praha 1 room U1, 9. -10. 11 2018 PROGRAM:FRIDAY, 9 November, 13:00–18:30 Tomáš Dvořák (FAMU in Prague)Introduction Michelle Henning (London School of Film, Media and Design, University of West London)Feeling photos: photography, picture language and mood capture… Continue reading Photography Off the Scale – international conference
On Seeing When There’s Nothing to See: Practices of Light Beyond Photography
Parikka, Jussi. 2021. “On Seeing When There’s Nothing to See: Practices of Light Beyond Photography.” Pp. 185–210 in Tomáš Dvořák and Jussi Parikka, eds. Photography Off the Scale: Technologies and Theories of the Mass Image. Edinburgh: Edinburgh University Press.
The Failed Photographs of Photography: On the Analogue and Slow Photography Movement
Šimůnek, Michal. 2021. “The Failed Photographs of Photography: On the Analogue and Slow Photography Movement”. Pp. 140–157 in Tomáš Dvořák and Jussi Parikka, eds. Photography Off the Scale: Technologies and Theories of the Mass Image. Edinburgh: Edinburgh University Press.
From Planetary Depth to Surface Measure: Or, How to Read the Future From an Image?
Parikka, Jussi. 2021. “From Planetary Depth to Surface Measure: Or, How to Read the Future From an Image?” Pp. 286–303 in Karen Redrobe and Jeff Scheible, eds. Deep Mediations. Minneapolis: University of Minnesota Press.
An Ecoaesthetic of Vegetal Surfaces: On Seed, Image, Ground as Soft Montage
Parikka, Jussi, and Abelardo Gil-Fournier. 2021. “An Ecoaesthetic of Vegetal Surfaces: On Seed, Image, Ground as Soft Montage.” Journal of Visual Art Practice 20, no. 1–2: 16–30. https://doi.org/10.1080/14702029.2021.1917858.
The Diagrams of AI (Image)
Parikka, Jussi. 2021. “The Diagrams of AI (Image).” The Nordic Journal of Aesthetics 30, no. 61–62: 148–153. Retrieved from https://tidsskrift.dk/nja/article/view/127893.
The Operational Loops of a Pandemic
Sampson, Tony D., and Jussi Parikka. 2021. “The Operational Loops of a Pandemic.” Cultural Politics 17, no. 1: 55–68. https://muse.jhu.edu/article/786391.